It’s November of 2019 and indie pop artist Samia headlines WOZQ’s annual fall concert, with indie rock band Moxie opening. I am a first year with choppy bangs just getting involved with the radio station, excited to go to my first WOZQ concert. The indie rock band Moxie goes on at 8:00 p.m., to an energetic Davis Ballroom full of Smithies. Rei Kimura, on vocals and guitar, guides the crowd through their 30-minute jam-packed set, making sure to get everyone involved with Daniel Snyder’s rhythmic drumming by giving a clapping beat to follow. Leander Holzapfel’s riffs and Inky Cohen’s smooth bass capture the crowd, especially on ‘Blue Skies,’ their 2018 hit about naivety, which many Smithies sing along to, word for word. I walk away from this performance exhilarated, not only by how much this band rocks but especially by finding out that they are about my age.
Posts published in “Arts and Culture”
In the November 1993 issue of the now defunct women’s magazine “Mademoiselle,” Kurt Cobain, Dave Grohl and Krist Novoselic posed for the cover in Dries…
On March 16, Irish singer and songwriter Hozier announced the release of his new EP, “Eat Your Young,” and his Unreal Unearth tour.
In a dimly lit basement, a stranger’s sweat seeps into my skin. My ears are beating from the indistinguishable rhythms of oppressively loud drum kits. Mosh pits merge and scatter around me as students headbang uncontrollably. This is the House Show, an essential component of the college music scene.
On March 4, the Office of Student Engagement hosted Alison Bechdel, a cartoonist best known for her comic strips “Dykes to Watch Out For” and for her graphic memoir “Fun Home,” at John M. Greene Hall for a keynote talk, moderated discussion and book signing.
As Violent Femmes prepare to embark on their 40th anniversary tour celebrating their debut album, I figured it was only right to properly honor the album that shaped my high school experience. That, and I also wanted an excuse to mention how upset I am that the tour doesn’t stop on the East Coast.
Indie Folk band Yo La Tengo's newest release, “This Stupid World,” oscillates between a harsh, chaotic dissonance and a satisfying softness, leaning into a grating tension that has produced one of their most dynamic albums in their 40-year career.
Although a recent addition to the music industry, Em Beihold has quickly risen in popularity, breaking ground with her newest release, “Roller Coasters Make Me Sad” and opening for artist Lewis Capaldi’s upcoming tour.
Publicized with a cheerfully vague, rainbow-colored poster, “My H8 Letter to the Gr8 American Theatre” drew a diverse audience to Hallie Flanagan Studio Theatre on its fifth and final sold out show on March 4. Audiences were notified in advance of “some strong language, slaying, Queer space, and hot joy;” the writers kept their promise.
In the TikTok era of music, artists have less than 15 seconds to hook an audience with a catchy enough song to keep them interested. Independent artist and producer from Los Angeles, Alex Sloane, is one of the artists utilizing the platform to reach an audience. Her recently released EP, “Dear Diary,” features self-produced songs that combine dreamy pop vocals with 8-bit-inspired beats. Sloane’s TikTok and Instagram feeds showcase clips of her writing in her diary, lounging in her heart-shaped bed, or going on earmuffed hot girl walks while her most popular hits play. Sloane is currently featured on two Spotify-curated playlists, “Fresh Finds Pop” and “Dope AF” (featuring TikTok star Bella Poarch on its cover).