Recently, I forced my girlfriend through the ordeal that any number of my friends, partners and casual acquaintances have been subjected to in the past — a showing of the 1982 classic “The Snowman.” Based on a picture book of the same name, “The Snowman” is a hand-illustrated silent short film accompanied by an original symphonic score. All aspects which my willing or unwilling viewers have no doubt found riveting. Not to mention that it inflicts more emotional damage than any children’s Christmas movie has a right to. Call it my artistic appreciation (or early onset depression) but its bittersweet mood is one of the many reasons it was my favorite film as a child.
Posts tagged as “Amalia Tomas”
Smith College Department of Theatre performed “You on the Moors Now,” a play by Jaclyn Brackhaus from Feb. 28–Mar. 2. The experience was a whirlwind, satirical, hyper-feminist fanfiction...