Asmae Lichir señaló a su pared, humildemente decorada con su diploma de graduación de su universidad anterior, lucecitas de festivo y un colgador de pared imprimido con el retrato de una mujer árabe rodeada de signos astrológicos y versos estilizados del Corán. "Esa foto", ella dijo, refiriéndose a otra decoración, una pintura de una fila de siluetas de mujeres caminando por una puerta dorada con "Ada Comstock" grabado en la esquina. "Esa fue la primera cosa en mi casa". Lichir dijo: “No tuve nada en este apartamento durante casi una semana. Estaba sentada en el suelo. Y estaba haciendo trabajo. La miraba todos los días. Y me decía, 'Estoy aquí por una razón'".
The Sophian
Los estudiantes de Smith se reunieron en Chapin Lawn para disfrutar del Carnaval de Convocation de “repuesto” a las 11:30 am el 6 de octubre, un evento que generó reacciones mixtas por parte de los estudiantes.
Duct Tape Productions Finds Its Corner of the Sky with Fall Production of “Pippin”
Photo by Sherry Li
Duct Tape Productions (DTP) debuted their fall musical, “Pippin,” co-directed by Katherine Heyman ’24J and Eve Mekahlick Wilcox ’22, in the Davis Ballroom on Nov. 18. This is the student-run theatre company’s first show since the cancellation of “Newsies” due to COVID-19 in March of 2020.
Kathleen McCartney, la presidente de Smith, anunció el viernes, el 22 de octubre, que los paquetes de ayuda financiera dejarán de incluir préstamos, porque serán completamente reemplazados por subsidios de la escuela.
It’s a pretty simple story: I was a visionary. A less persistent soldier might have given up: quarantined in a city straddling the Connecticut River with no suitable lovers to straddle me. There were slim pickings on campus and the townies were grody — what’s a girl to do?
Lincoln Park, KORN, and Dwayne (“The Rock”) Johnson are three singers that diners at Cutter Ziskind (or Cutter Z as nicknamed by students) might hear…
As a queer Smithie, I feel compelled to speak out after reading Mills alumnae citing Smith College as another HWC stigmatized by queerness.
Hearing that the “girth of the elephant's cock is staggering” was not what I anticipated hearing on a Thursday night. But then again, nothing that happened in this reading was even slightly predictable.
It has been a year and half since the curtains rose and the spotlight shone at Hallie Flanagan Studio Theater, but this lull in live productions didn’t stop the Smith Theatre Department from putting on a show-stopping rendition of Christin Eve Cato’s “Stoop Pigeons.”