“Star Trek: Discovery” has aired six episodes since its premiere last month. The “Star Trek” series, which shows only on CBS’s new only streaming service, has taken a new perspective on the tv show that so many people have already come to love.
Posts published in “Arts and Culture”
Directed by Jean-Paul Lilienfeld, the 2008 French drama “La journée de la jupe” is loosely based on true events. A key aspect of the plot happened in real life: a request was sent to the French Secretary of Education to propose a National Skirt Day.
Last Thursday, independent filmmaker Christine Vachon came to campus to discuss her career as well as her current and future projects.
When she was eleven, Yao Wu was pulled aside by her mother and faced with the critical decision that every Chinese student has to make.
The Smith College Department of Theatre recently introduced a new play reading series, of which “The Song of the Maw” was the first offering of the semester. Written by MFA student Mary Beth Brooker ’20 and directed by Allison Smith ’20, “The Song of the Maw” was staged last Friday in Hallie Flanagan Studio Theatre.
“I feel like every little girl dreams about being something when they grow up. Some girls dream about being lawyers. Some dream about being mommys, and I dreamt about being a singer.” This is the introduction to “Gatekeeper,” the fifth track on Jessie Reyez’s EP, “Kiddo.”
Photo Courtesy of billboard.com || The sister-group HAIM’s latest album demonstrates their musical prowess, Patience Kayira ’20 writes. HAIM, a three sister group from Los…
Alternative-pop duo Secret Weapons brought their fall tour to Northampton at Pearl Street on Sept. 16. This tour follows the release of their recent album “As the Setting Sun Comes Crashing Down on Me.” Before their Northampton performance, The Sophian had the opportunity to conduct a brief interview with the band in regards to their first solo tour and recent album.
In the new landscape of existential art-house, horror films that have been appearing in theaters recently, none have been quite like the no-holds-barred, horrific insanity of Darren Aronofsky’s “mother!”