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Posts published in “Books”

Adrián Gras-Velázquez Debuts Poetry Collection “Lo que hago en mi habitación”

To Smith College Lecturer Adrián Gras-Velázquez, poetry is like a nutella sandwich. From its addictive nature to the feeling of his childhood, Adrián sees poetics as just as sweet. His debut poetry collection, “Lo que hago en mi habitación,” brings his writing to the forefront. 

Bookends: The Marxist Lesbian Bookstore, Music Venue, Event Space We All Needed

Radical bookstores are that important. Not just in theory, not just on paper, but in how we materially change the world. Bookends, the lesbian marxist bookstore in Florence, dauntingly takes on the task of running a bookstore aligned with its values, pushing against the imagined lesbian history of Northampton and working tirelessly to revive the real one. 

An Interview about ‘Gender: Two Novellas in Verse’ with Poet and Author Anne Harding Woodworth

In under 100 pages, Anne Harding Woodworth (’65) dives into a conversation on gender fluidity.  By looking to a mysterious past and future, in “Gender: Two Novellas in Verse,” she explores secondary universal themes of parenting, companionship and survivorship. Harding Woodworth brings genderfluid people to the forefront of her narrative, starting a conversation on representation and whose stories are worth telling. 

Confessions from a Literary Elitist: Review of Colleen Hoover’s “Verity”

Last week I set out on an expedition to find and read a Colleen Hoover book.

I’m an English major and, more relevantly, a lifelong literary elitist. Pretentious books have been the pillars of my superiority complex since grade school, as I peered disdainfully at my classmates’ beyblade battles over my copy of “Beowulf” and once told my seventh-grade teacher that I found “Great Expectations” just so much more rewarding when reading it for the third time.

Reconceptualizing Sylvia Plath’s legacy: a discussion of “Red Comet” with Heather Clark and Judith Raymo ’53

Content Warning: This article contains mentions of suicide. How do you separate Sylvia Plath’s poetic works from the sensationalized mythology surrounding her legacy? This is…